Teaching at The Wooden Boat School: Tradional & Modern Oar Making

After work at Shaw and Tenney, I had my debut teaching job at Wooden Boat School. One of my favorite (and most labor intensive) specialties is oar making, so I was to teach the traditional way and the modern way, using composite blades. Each students chose an oar type of their choice to fit a boat they had or wanted to have. We had everything from 7' flat blade Spruce oars (for a Nutshell Pram) to laminated plywood spoon blade sculls to a Greenland style kayak paddle.

 

We were able to get out for two solid rows where CLint coached some fixed seat rowing and we all just enjoyed learning how to use oars and be comfortable in rowboats. We were able to use the school's fleet of rowboats, including this Joel White Shearwater.

 

Students quickly learned that oar making is mostly a wood removal activity, but they also learned some of my tricks, like adding decorative laminations on the outside of the upper looms. They also learned that there is a bit of engineering and art in making oars. Because we were able to get on the water, we also so the clear link between how we shape oars in the shop and how they react on the water.

 

Finishing oars after sanding is as much work as shaping them. One of my big pet-peeves is that oars are balanced and we spent a couple hours balancing everybody's oars with a little lead in the handle. It does not make the oar heavier, effectively, because the oar's weight is on the gunwale. Therefore, it is the balance that makes oars feel lightweight. Leathering the oars is a project as well as sealing and varnishing. Everybody left with the oars largely done. One student had a good challenge. He brought in a pair of hollow sculling oars and wanted to make a replacement (or back up) pair in a week. So, we made the loom solid, sized down, and laminated a pair or plywood blades much like I do in my shop for customer's oars, over a laminating jig. The blades are glued on the shaped loom and the finished result looks like this, and I might add he is very happy with them. In fact they are no heavier than the original, hollow sculls!

 
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Mast making at Shaw and Tenney

The second iconic work spot of the summer was 2-weeks of mast building at Shaw & Tenney. Shaw and Tenney has been in business since 1858 making gorgeous paddles and oars as well as masts, boat hooks, etc for boats. Sometimes they get interesting orders like for this project building four 8" diameter laminated, Douglas Fir masts for a high-end playground in NYC. They asked me to come up and help them take on this project and I was happy to do it.



The masts were all cut, rounded, and sanded by hand. They weight a few hundred pounds in the rough and were a challenge to put through the planer. Their dimensions had to be very accurate. Like any mast, once the piece is 4-sided and tapered, we can start 8-siding as we are doing above with a small skilsaw. After 8-siding this way, the mast was brought to 128-siding with nothing but patience and my favorite power planer. After two days plus of the power planer, when I that machine down for good, I can recall my hand vibrating for several hours.



The final rounding was done with custom shaped foam blocks, a trick from boat school that I use on a lot of projects. This was followed by finish sanding with the Festool. The result was some very nice masts! It was a wonderful place to work and watch the masters do their trade. One of the guys has been making oars and paddles for 25 years. To watch him work was quite impressive. I look forward to doing more business with S & T. Recently, they chose Clint Chase Boatbuilder as their official builder of their beautiful Whitehall.



After this project it was back to Portland for an overnight to see the family and pack for the next iconic week: Wooden Boat in Brooklin, Maine. I was to make my teaching debut at the Wooden Boat School.

Wooden Boat Show Family Boat building

We are catching up with a nons stop summer of boating events and where best to start the series of updates than with the Wooden Boat Show in Mystic, CT. In 2 1/2 days, a father son duo built one of our Echo Bay Dory Skiff kits. They discovered that there is a lot of boatbuilding, sweat, creativity and work to do even starting from a kit.

 

They launched on the third day at 3pm. They were very proud and perhaps glad they had a break to enjoy their success. My former life was a teacher and instructing people to build their own boats. Getting new folks into small boats, building their own boats from kits, and experiencing success in everyway is the number one priority for our customers. Likewise, we felt this year's Family Boatbuilding was a success and will plan to do these boats again next year.

 
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A new rig for a Goat Island Skiff, Spruce for Roger Long's Yawl Dory and more Birdsmouth Masts and Spars

The finished mast and spars delivered and stepped into John Goodman's Goat Island Skiff Yawl #1 in Houston, TX. John does the Texas 200 in a few weeks!





To find good spruce you need to go right to the source. I enjoyed some wonderful walking with a customer who is having a Yawldory by Roger Long, N.A., built and wanted the Spruce for the spars, masts, and oars (my job) to come from her friend's land. We walked (i.e., bushwacked) and tagged a few nice Spruce trees.

 


Birdsmouth Masts under construction for a Michael Storer Goat Island Skiff. With Michael's blessing, Clint drew a yawl rig for the boat.

 
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Varnishing the Sitka Spruce/Northern White Spruce Birdsmouth mast allows the grain of the Sitka to deepen and develop the contrasting lighter-colored Northern White Spruce. You get some of the benefits of Sitka for half the cost by mixing it with the local spruce we get hear in Maine and Canada.

The two masts are for the Goat Island Skiff, a birdsmouth on the left and a hollow-rectangular mast on the right. The mast on right is a customer's that I took in to check for chafing and leathered the chafed areas to prevent more.